An overview of most - but not all - of my artwork:
ORPHAN, 2026.Mixed-media installation with radioactive object, steel objects, CRT television, video projection, microscope, screen prints
MIJ (The Fog), 2026. Interactive object with laser sensors and smoke generator, digital video. Collaborative work by Rojava Center for Democratic Technologies
The Source, 2026. Digital film/MiniDV, 15’08”
Hellish Machine, 2025. VR-Installation, robotic sculpture, photograph in lightbox
Cyclops, 2025. Mixed-media installation, PLA object, laser light
Extern Alarm, 2025. Public performance, text.
Seven Things About Late Technoculture, 2024. Installation, 7 instagram reels. Collaboration with Viv Lennert
John Zerzan: Beyond the Symbolic, 2024. Film (Super 8/MiniDV/digital video), 9’08”
Revolution Refridge, 2023-24. Mixed-media installation, terracotta, solar panel, cooling unit. Collaborative work by Rojava Center for Democratic Technologies
Destructive Circuits, 2020-24. Installation, various digital artefacts, graffiti, wooden clogs
Bunkeridylle, 2024. Digital film, 11’56“
Improvised Inflatable Device (Fat Man), 2023. Inflatable sculpture, microcontroller, electromotor. Collaboration with Tools for Action
From the Tree, 2023. Performance installation. Duration: 4 hours. Collaboration with Greenman Muleh Mbillo & Ensemble Tzara
Hysteresis, 2022. VR-Installation, modified bumper car
Uiiti, 2022. Smartphone app. Collaboration with Greenman Muleh Mbillo
Line of Contact, 2017-22. VR-Installation.
Propaganda Television, 2022. Interactive installation in public space, obsolete TV screens
The Cults, 2021. 16mm film, 6’08”
A Space War Monument, 2021. Digital video, 3’24”, sculpture
B-Hind, 2020. Installation, interactive device with anal electrode
A New Middle of Nowhere, 2020. PLA sculpture, GPS transmitter
OUR VALUES, 2019. Mixed-media installation, razor wire, loudspeaker, microcontroller
Laboratory of Electronic Ageing, 2019. Interactive installation, industrial drop testing machine, shaving device, digital video
Post-Apocalypse Smart City Desert, 2019. 3D video, smartphone app
Untitled (Paloma Blanca/Taubenschutz), 2019. Installation, anti-pigeon pins, sound
The Grass Smells So Sweet, 2018. VR-installation
Pont au Double, 2018. Video game
Digital Thunder Kite, 2018. Polyester kite, digital print
Cozy Land, 2018. Digital video, 7‘. Collaboration with max+noa
Smart Fence, 2018. Mixed-media installation, razor wire stolen from EU-border fence, Augmented Reality app
Post-Apocalypse Smart City Lagoon, 2018. 3D video, smartphone app
Terror/Revolution, 2017. Airplane advertisement, video
Patrol, 2017. 16mm film, 2’04”
Artefact, 2017. Digital model, video loop
Frontline, 2017. VR-installation
ASSAULT, 2016. Installation, iPad, digital video, ammunition round
FETISH, 2014-16. Tablet app for oral interaction
Recycled Coil, 2014. Obsolete TV components, bodypiercing
Ascending Performance, 2013. Super 8 film, smartphone app
Back to Sender, 2013. Installation, electronic waste. Collaboration with Jelili Atiku
Biotope, 2012. Installation, petrol generator, desktop computer, gas mask, acrylic enclosure
ELECTRODE, 2011. Performance installation, anal electrode, digital sound synthesis